On top, it offers four quick-access macro controls and 20 modulation slots. One new feature is a new completely new color-coded librarian that simplifies the navigation through the sound libraries.įurther, it comes with a new 16-layer arpeggiator with up to 256 steps, a reworked effect section, a chord sequencer, and a brand new vector-based GUI. The new version is a huge update and brings a lot of new features and improvements. However, it is one of the most widely used plugins on the market, especially because of its many sounds that you can use immediately. Whether it is a full-fledged Synthesizer or a rompler is up to anyone. It took a little bit longer, but a new version of Nexus is out. I don’t know if your AAC file is ALAC.ReFX Nexus 3, the most expensive Synthesizer plugin ($1999 with all expansions) has been massively overworked with a new interface, librarian, arp/sequencer, effects & more Isn’t ALAC supposed to be lossless? like FLAC? What am I missing? Is there no lossless Apple format? Your lossless files will be larger, but you don’t have to distribute those original files. You are not likely to hear any difference, especially with a spoken word, which I assume is recorded under non-ideal conditions in a “noisy” lecture hall.īTW - If you are going to use lossless, you might as well record at 44.1 or 48kHz. (22.050kHz, 16-bit mono uncompressed is 352kbps.)Īlthough it’s a good idea to record & produce in a lossless format it’s more practical to distribute in a more-compressed format. At 22kHz, you’ve got half the data, and I assume your file is mono. MediaInfo might tell you for sure.Ī “regular” 16-bit 44.1kHz stereo FLAC or ALAC is usually in the ballpark of 700kbps. I’ve never used ALAC or GarageBand, but I’d say the 243kbps file is probably lossless. So the question is: which file is compressed LOSSLESS and which one is LOSSY?
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